The Art of Dramatic Writing by Lejos Egri has been a favorite resource of mine for several years. While it is specifically written for playwrights, it’s easy to take the principles taught and apply them to any type of dramatic writing.
Egri’s approach to writing is strict and scientific. He believes that a good story should begin with a clear premise; a single sentence forming a thumbnail synopsis of the entire piece.
This super specific “story goal” is then achieved by carefully crafting characters that when brought together under the right circumstances, will naturally drive the story forward from beginning to inevitable end.
It’s a beautiful theory and one of the most rigorous approaches to character development I know of. This excellent and relatively quick exercise consists of answering fewer than 30 questions about your character.
Creating Characters That Drive Plot
Every object has three dimensions: depth, height, width. Human beings have an additional three dimensions: physiology, sociology, psychology. Without a knowledge of these three dimensions we cannot appraise a human being.
As stated in the quote above, Egri’s method involves coming to an intimate knowledge of your fictional character’s physiology, sociology, and psychology in order to understand how they might behave in any given situation. Below are the questions he proposes you answer in order to do so.
- Height and weight
- Color of hair, eyes, skin
- Appearance: good-looking, over-or-underweight, clean, neat, pleasant, untidy. Shape of head, face, limbs.
- Defects: deformities, abnormalities, birthmarks. Diseases.
- Class: lower, middle, upper.
- Occupation: type of work, hours of work, income, condition of work, union or nonunion, attitude toward organization, suitability for work.
- Education: amount, kind of school, marks, favorite subjects, poorest subjects, aptitudes.
- Home life: parents living, earning power, orphan, parents separated or divorced, parents’ habits, parents’ mental development, parents’ vices, neglect. Character’s marital status.
- Race, nationality
- Place of community: leader among friends, clubs, sports.
- Political affiliation
- Amusements, hobbies: books, newspapers, magazines, he reads.
- Sex life, moral standards
- Personal premise, ambition
- Frustrations, chief disappointments
- Temperament: choleric, easygoing, pessimistic, optimistic
- Attitude toward life: resigned, militant, defeatist.
- Complexes: obsessions, inhibitions, superstitions, phobias.
- Extrovert, introvert, ambivert
- Abilities: languages, talents.
- Qualities: imagination, judgement, taste, poise.
Knowing these facts about your character will translate, Egri teaches, into your ability to use this character as a plot driving force within your stories. How? By knowing how your character will react to any given circumstance. You can now put them in the right place at the right time so that the desired response feels natural to both your character and readers alike.
Give it a shot and let me know what you think! If you have any questions or if something isn’t clear here, feel free to let me know in the comments and I’d be happy to expand on what’s been said already.